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Gold ... hither swims': Trade and Literature in england of the 1650s
https://ferris.repo.nii.ac.jp/records/750
https://ferris.repo.nii.ac.jp/records/7507e93dbe9-416c-4484-ad4b-3ef579444bc9
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2016-02-25 | |||||
タイトル | ||||||
タイトル | Gold ... hither swims': Trade and Literature in england of the 1650s | |||||
言語 | en | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
冨樫, 剛
× 冨樫, 剛× Go, Togashi |
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著者所属 | ||||||
値 | フェリス女学院大学 文学部 英文学科(教員) | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | David Armitage has characterized the first British Empire as Protestant, commercial, maritime and free. Blair Hoxby has seen in the poetry of the 1650s the burgeoning of a positive conception of trade. Reading poems and entertainments written in the 1650s -Edmund Waller’s ‘A Panegyric to My Lord Protector’, William Davenant’s The Cruelty of the Spaniards in Peru, and so on- this essay investigates further the discursive configuration surrounding trade. It argues that there were still other discourses and literary tropes than Armitage’s four that could be drawn on in describing the first Empire, and that among them trade was exceptional in that it was presented negatively, as something other than itself. | |||||
書誌情報 |
フェリス女学院大学文学部紀要 巻 45, p. 139-158, 発行日 2010-03 |
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出版者 | ||||||
出版者 | フェリス女学院大学 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09165959 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |